Mother’s Day 2012: Books For Your Mama (or your wife, sister, aunt, grandma…)
Julia Ward Howe was the first person to call for a “Mother’s Day.” She didn’t, however, envision it as a day to give mothers flowers and take them out to dinner. Her Mother’s Day Proclamation came on the heels of the American Civil War, in 1870, when tens of thousands of mothers were grieving the loss of their sons. The Mother’s Day Proclamation was a cry for peace and disarmament, a call for women to rise up against war in the protection of their children. In part, she said:
Arise, then, women of this day! Arise all women who have hearts,
whether our baptism be that of water or of fears!
…Our sons shall not be
taken from us to unlearn all that we have been able to teach
them of charity, mercy and patience.
We women of one country will be too tender of those of another
country to allow our sons to be trained to injure theirs. From
the bosom of the devastated earth a voice goes up with our own.
It says “Disarm, Disarm! The sword of murder is not the balance
Here at the Literary Duck, we want to say “Thank You!” to mothers and caretakers everywhere—to the women who raised us, sacrificed for us, worried about us, schooled us, loved us, healed us, believed in us and fought for us. Happy Mother’s Day 2012!
P.S. In case you want to get that spectacular mom in your life a gift and take her out to dinner, we approve! And of course we have some great book recommendations.
By: Robert K. Massie
The Pulitzer Prize-winning author of Peter the Great, Nicholas and Alexandra, and The Romanovs returns with another masterpiece of narrative biography, the extraordinary story of an obscure young German princess who traveled to Russia at fourteen and rose to become one of the most remarkable, powerful and captivating women in history. Born into a minor noble family, Catherine transformed herself into Empress of Russia by sheer determination. Possessing a brilliant mind and an insatiable curiosity as a young woman, she devoured the works of Enlightenment philosophers and, when she reached the throne, attempted to use their principles to guide her rule of the vast and backward Russian empire. She knew or corresponded with the preeminent historical figures of her time: Voltaire, Diderot, Frederick the Great, Empress Maria Theresa of Austria, Marie Antoinette and, surprisingly, the American naval hero, John Paul Jones. Reaching the throne fired by Enlightenment philosophy and determined to become the embodiment of the “benevolent despot” idealized by Montesquieu, she found herself always contending with the deeply ingrained realities of Russian life, including serfdom. She persevered, and for thirty-four years, the government, foreign policy, cultural development and welfare of the Russian people were in her hands. She dealt with domestic rebellion, foreign wars, and the tidal wave of political change and violence churned up by the French Revolution that swept across Europe. Her reputation depended entirely on the perspective of the speaker. She was praised by Voltaire as the equal of the greatest of classical philosophers; she was condemned by her enemies, mostly foreign, as “the Messalina of the north.”
Catherine’s family, friends, ministers, generals, lovers, and enemies—all are here, vividly described. These included her ambitious, perpetually scheming mother; her weak, bullying husband, Peter (who left her lying untouched beside him for nine years after their marriage); her unhappy son and heir, Paul; her beloved grandchildren; and her “favorites”—the parade of young men from whom she sought companionship and the recapture of youth, as well as sex. Here, too, is the giant figure of Gregory Potemkin, her most significant lover and possible husband, with whom she shared a passionate correspondence of love and separation, followed by seventeen years of unparalleled mutual achievement.
The story is superbly told. All the special qualities that Robert K. Massie brought to Nicholas and Alexandra and Peter the Great are present here: historical accuracy, depth of understanding, felicity of style, mastery of detail, ability to shatter myth, and a rare genius for finding and expressing the human drama in extraordinary lives. History offers few stories richer in drama than that of Catherine the Great. In this book, this eternally fascinating woman is returned to life. (Publisher’s Marketing)
By: Rebecca Skloot
Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells—taken without her knowledge—became one of the most important tools in medicine. The first “immortal” human cells grown in culture, they are still alive today, though she has been dead for more than sixty years. If you could pile all HeLa cells ever grown onto a scale, they’d weigh more than 50 million metric tons—as much as a hundred Empire State Buildings. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses and the atom bomb’s effects; helped lead to important advances like in vitro fertilization, cloning and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave.
Now Rebecca Skloot takes us on an extraordinary journey, from the “colored” ward of Johns Hopkins Hospital in the 1950s, to stark white laboratories with freezers full of HeLa cells; from Henrietta’s small, dying hometown of Clover, Virginia—a land of wooden slave quarters, faith healings, and voodoo—to East Baltimore today, where her children and grandchildren live and struggle with the legacy of her cells.
Henrietta’s family did not learn of her “immortality” until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks family—past and present—is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of.
Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family—especially Henrietta’s daughter, Deborah, who was devastated to learn about her mother’s cells. She was consumed with questions: Had scientists cloned her mother? Did it hurt her when researchers infected her cells with viruses and shot them into space? What happened to her sister, Elsie, who died in a mental institution at the age of fifteen? And if her mother was so important to medicine, why couldn’t her children afford health insurance?
Intimate in feeling, astonishing in scope, and impossible to put down, The Immortal Life of Henrietta Lacks captures the beauty and drama of scientific discovery, as well as its human consequences. (Publisher’s Marketing)
By: Gayle Tzemach Lemmon
The life Kamila Sidiqi had known changed overnight when the Taliban seized control of the city of Kabul. After receiving a teaching degree during the civil war—a rare achievement for any Afghan woman—Kamila was subsequently banned from school and confined to her home. When her father and brother were forced to flee the city, Kamila became the sole breadwinner for her five siblings. Armed only with grit and determination, she picked up a needle and thread and created a thriving business of her own.
The Dressmaker of Khair Khana tells the incredible true story of this unlikely entrepreneur who mobilized her community under the Taliban. Former ABC News reporter, Gayle Tzemach Lemmon, spent years on the ground reporting Kamila’s story, and the result is an unusually intimate and unsanitized look at the daily lives of women in Afghanistan. These women are not victims; they are the glue that holds families together; they are the backbone and the heart of their nation.
Afghanistan’s future remains uncertain as debates over withdrawal timelines dominate the news. The Dressmaker of Khair Khana moves beyond the headlines to transport you to an Afghanistan you have never seen before. This is a story of war, but it is also a story of sisterhood and resilience in the face of despair. Kamila Sidiqi’s journey will inspire you, but it will also change the way you think about one of the most important political and humanitarian issues of our time. (Publisher’s Marketing)
By: The Countess of Carnarvon
Lady Almina and the Real Downton Abbey tells the story behind Highclere Castle, the real-life inspiration for the hit PBS show Downton Abbey, and the life of one of its most famous inhabitants, Lady Almina, the 5th Countess of Carnarvon and the basis of the fictional character Lady Cora Crawley. Drawing on a rich store of materials from the archives of Highclere Castle, including diaries, letters and photographs, the current Lady Carnarvon has written a transporting story of this fabled home on the brink of war.
Much like her Masterpiece Classic counterpart, Lady Almina was the daughter of a wealthy industrialist, Alfred de Rothschild, who married his daughter off at a young age, her dowry serving as the crucial link in the effort to preserve the Earl of Carnarvon’s ancestral home. Throwing open the doors of Highclere Castle to tend to the wounded of World War I, Lady Almina distinguished herself as a brave and remarkable woman.
This rich tale contrasts the splendor of Edwardian life in a great house against the backdrop of the First World War and offers an inspiring and revealing picture of the woman at the center of the history of Highclere Castle. (Publisher’s Marketing)
By: Clint Hill and Lisa McCubbin
He called her Mrs. Kennedy. She called him Mr. Hill. For four years, from the election of John Fitzgerald Kennedy in November 1960 until after the election of Lyndon Johnson in 1964, Clint Hill was the Secret Service agent assigned to guard the glamorous and intensely private Jacqueline Bouvier Kennedy. During those four years, he went from being a reluctant guardian to a fiercely loyal watchdog and, in many ways, her closest friend.
Now, looking back fifty years, Clint Hill tells his story for the first time, offering a tender, enthralling, and tragic portrayal of how a Secret Service agent who started life in a North Dakota orphanage became the most trusted man in the life of the First Lady who captivated first the nation and then the world. When he was initially assigned to the new First Lady, Agent Hill envisioned tea parties and gray-haired matrons. But as soon as he met her, he was swept up in the whirlwind of her beauty, her grace, her intelligence, her coy humor, her magnificent composure, and her extraordinary spirit. From the start, the job was like no other, and Clint was by her side through the early days of JFK’s presidency; the birth of sons John and Patrick and Patrick’s sudden death; Kennedy-family holidays in Hyannis Port and Palm Beach; Jackie’s trips to Europe, Asia, and South America; Jackie’s intriguing meetings with men like Aristotle Onassis, Gianni Agnelli, and Andre Malraux; the dark days of the year that followed the assassination to the farewell party she threw for Clint when he left her protective detail after four years. All she wanted was the one thing he could not give her: a private life for her and her children.
Filled with unforgettable details, startling revelations, and sparkling, intimate moments, this is the once-in-a-lifetime story of a man doing the most exciting job in the world, with a woman all the world loved, and the tragedy that ended it all too soon—a tragedy that haunted him for fifty years. (Publisher’s Marketing)
By: Eowyn Ivey
Here’s a modern retelling of the Russian fairy tale about a girl, made from snow by a childless couple, who comes to life. Or perhaps not modern—the setting is 1920s Alaska—but that only proves the timelessness of the tale and of this lovely book. Unable to start a family, middle-aged Jack and Mabel have come to the wilderness to start over, leaving behind an easier life back east. Anxious that they won’t outlast one wretched winter, they distract themselves by building a snow girl and wrap her in a scarf. The snow girl and the scarf are gone the next morning, but Jack spies a real child in the woods. Soon Jack and Mabel have developed a tentative relationship with the free-spirited Faina, as she finally admits to being called. Is she indeed a “snow fairy,” a “wilderness pixie” magicked out of the cold? Or a wild child who knows better than anyone how to survive in the rugged north? Even as Faina embodies a natural order that cannot be tamed, the neighborly George and Esther show Jack and Mabel (and the rest of us) how important community is for survival. A fluid, absorbing, beautifully executed debut novel. (Library Journal)
Winner of the 2011 National Book Award. A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch’s father is growing concerned. A hard drinker, largely absent, he doesn’t show concern for much else. Esch and her three brothers are stocking food, but there isn’t much to save. Lately, Esch can’t keep down what food she gets; she’s fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull’s new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child’s play and short on parenting. As the twelve days that make up the novel’s framework yield to their dramatic conclusion, this unforgettable family—motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce—pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory and real. (Publisher’s Marketing)
Anne Tyler gives us a wise, haunting, and deeply moving new novel in which she explores how a middle-aged man, ripped apart by the death of his wife, is gradually restored by her frequent appearances—in their house, on the roadway, in the market.
Crippled in his right arm and leg, Aaron spent his childhood fending off a sister who wants to manage him. So when he meets Dorothy, a plain, outspoken, self-dependent young woman, she is like a breath of fresh air. Unhesitatingly, he marries her, and they have a relatively happy, unremarkable marriage. But when a tree crashes into their house and Dorothy is killed, Aaron feels as though he has been erased forever. Only Dorothy’s unexpected appearances from the dead help him to live in the moment and to find some peace. Gradually he discovers, as he works in the family’s vanity-publishing business, turning out titles that presume to guide beginners through the trials of life, that maybe for this beginner there is a way of saying goodbye. A beautiful, subtle exploration of loss and recovery, pierced throughout with Anne Tyler’s humor, wisdom, and always penetrating look at human foibles. (Publisher’s Marketing)
By: Alexander McCall Smith
The No. 1 Ladies’ Detective Agency is located off a dusty, rutted road in cattle-rich Botswana, housed in a tiny office next to an auto-repair shop. Two women work there: Precious Ramotswe, who is Botswana’s only private detective, and her associate, Grace Makutsi (now Mrs. Phuti Radiphuti). Grace never fails to mention her 97 percent average from the Botswana Secretarial College to everyone who enters. And, it seems, everyone does: women worried that their men are philandering; people concerned over their relatives’ disappearances; seekers of goods and lost people. Part of the brilliance of this series (now in its thirteenth entry) is that what may seem like tiny cases expand into considerations of virtue, love, ambition, greed, and evil. And these meditations on life come as naturally as Precious looking up into the blue Botswana sky. In the latest, the person who has been Precious’ and Grace’s most quoted and most esteemed fellow detective enters the premises: Clovis Andersen, author of The Principles of Private Detection. Now Precious can consult with the great man himself (who shows a surprising forgetfulness about passages in his own book) about two troubling crises in her own life. A wealthy businessman has fired Precious’ longtime friend Mma Potokwane, the director of the orphan farm, and one of the apprentices at Speedy Motors has been wrongly accused of a crime. The trio embark on these cases with gusto. McCall Smith’s novels are both very meditative and laugh-out-loud funny. If you’ve never read a No. 1 Ladies’, now’s the time. (Booklist)
By: Paula McLain
A deeply evocative story of ambition and betrayal, The Paris Wife captures a remarkable period of time and a love affair between two unforgettable people: Ernest Hemingway and his wife Hadley.
Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has all but given up on love and happiness—until she meets Ernest Hemingway and her life changes forever. Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group—the fabled “Lost Generation”—that includes Gertrude Stein, Ezra Pound, and F. Scott and Zelda Fitzgerald. Though deeply in love, the Hemingways are ill prepared for the hard-drinking and fast-living life of Jazz Age Paris, which hardly values traditional notions of family and monogamy. Surrounded by beautiful women and competing egos, Ernest struggles to find the voice that will earn him a place in history, pouring all the richness and intensity of his life with Hadley and their circle of friends into the novel that will become The Sun Also Rises. Hadley, meanwhile, strives to hold on to her sense of self as the demands of life with Ernest grow costly and her roles as wife, friend and muse become more challenging. Despite their extraordinary bond, they eventually find themselves facing the ultimate crisis of their marriage—a deception that will lead to the unraveling of everything they’ve fought so hard for.
A heartbreaking portrayal of love and torn loyalty, The Paris Wife is all the more poignant because we know that, in the end, Hemingway wrote that he would rather have died than fallen in love with anyone but Hadley. (Publisher’s Marketing)